FreeFieldDirectivityFIR
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Conventions to store directivities of acoustic sources (instruments, loudspeakers, singers, talkers, etc) as FIR datatype. Convention is based on FreeFieldDirectivityTF but with FIR as datatype.
Name | Default | Flags | Dimensions | Type | Comment |
---|---|---|---|---|---|
GLOBAL:Conventions | SOFA | rm | attribute | ||
GLOBAL:Version | 2.1 | rm | attribute | ||
GLOBAL:SOFAConventions | FreeFieldDirectivityFIR | rm | attribute | This conventions stores directivities of acoustic sources (instruments, loudspeakers, singers, talkers, etc) as FIR datatype. | |
GLOBAL:SOFAConventionsVersion | 0.1 | rm | attribute | ||
GLOBAL:DataType | FIR | rm | attribute | We use FIR datatype | |
GLOBAL:RoomType | free field | m | attribute | The room information can be arbitrary, but the spatial setup assumes free field. | |
GLOBAL:Title | m | attribute | |||
GLOBAL:DateCreated | m | attribute | |||
GLOBAL:DateModified | m | attribute | |||
GLOBAL:APIName | rm | attribute | |||
GLOBAL:APIVersion | rm | attribute | |||
GLOBAL:AuthorContact | m | attribute | |||
GLOBAL:Organization | m | attribute | |||
GLOBAL:License | No license provided, ask the author for permission | m | attribute | ||
GLOBAL:ApplicationName | attribute | ||||
GLOBAL:ApplicationVersion | attribute | ||||
GLOBAL:Comment | attribute | ||||
GLOBAL:History | attribute | ||||
GLOBAL:References | attribute | ||||
GLOBAL:Origin | attribute | ||||
GLOBAL:DatabaseName | m | attribute | Name of the database. Used for classification of the data | ||
GLOBAL:Musician | attribute | Narrative description of the musician such as position, behavior, or personal data if not data-protected, e.g., 'Christiane Schmidt sitting on the chair', or 'artificial excitation by R2D2'. | |||
GLOBAL:Description | attribute | Narrative description of a measurement. For musical instruments/singers, the note (C1, D1, etc) or the dynamic (pp., ff., etc), or the string played, the playing style (pizzicato, legato, etc.), or the type of excitation (e.g., hit location of a cymbal). For loudspeakers, the system and driver units. | |||
GLOBAL:SourceType | m | attribute | Narrative description of the acoustic source, e.g., 'Violin', 'Female singer', or '2-way loudspeaker' | ||
GLOBAL:SourceManufacturer | m | attribute | Narrative description of the manufacturer of the source, e.g., 'Stradivari, Lady Blunt, 1721' or 'LoudspeakerCompany' | ||
GLOBAL:EmitterDescription | attribute | A more detailed structure of the source. In a simple setting, a single Emitter is considered that is collocated with the source. In a more complicated setting, this may be the strings of a violin or the units of a loudspeaker. | |||
ListenerPosition | [0 0 0] | m | IC, MC | double | Position of the microphone array during the measurements. |
ListenerPosition:Type | cartesian | m | attribute | ||
ListenerPosition:Units | metre | m | attribute | ||
ListenerView | [1 0 0] | m | IC, MC | double | Orientation of the microphone array |
ListenerView:Type | cartesian | m | attribute | ||
ListenerView:Units | metre | m | attribute | ||
ListenerUp | [0 0 1] | m | IC, MC | double | Up vector of the microphone array |
ReceiverPosition | [0 0 0] | m | ICI, RCI, RCM | double | Positions of the microphones during the measurements (relative to the Listener) |
ReceiverPosition:Type | spherical | m | attribute | Type of the coordinate system used. | |
ReceiverPosition:Units | degree, degree, metre | m | attribute | Units of the coordinates. | |
SourcePosition | [0 0 0] | m | IC, MC | double | Position of the acoustic source (instrument) |
SourcePosition:Type | cartesian | m | attribute | ||
SourcePosition:Units | metre | m | attribute | ||
SourcePosition:Reference | m | attribute | Narrative description of the spatial reference of the source position, e.g., 'The bell' for a trumpet or 'On the front plate between the low- and mid/high-frequency unit' for a loudspeaker. Mandatory in order to provide a reference across different sources. | ||
SourceView | [1 0 0] | m | IC, MC | double | View vector for the orientation. |
SourceView:Type | cartesian | m | attribute | ||
SourceView:Units | metre | m | attribute | ||
SourceView:Reference | m | attribute | Narrative description of the spatial reference of the source view, e.g., 'Viewing direction of the bell' for a trumpet or 'Perpendicular to the front plate' for a loudspeaker. Mandatory in order to provide a reference across different sources. | ||
SourceUp | [0 0 1] | m | IC, MC | double | Up vector of the acoustic source (instrument) |
SourceUp:Reference | m | attribute | Narrative description of the spatial reference of the source up, e.g., 'Along the keys, keys up' for a trumpet or 'Perpendicular to the top plate' for a loudspeaker. Mandatory in order to provide a reference across different sources. | ||
EmitterPosition | [0 0 0] | m | eCI, eCM | double | Position. In a simple settings, a single emitter is considered that is collocated with the source. |
EmitterPosition:Type | cartesian | m | attribute | ||
EmitterPosition:Units | metre | m | attribute | ||
EmitterDescriptions | {''} | MSI, ESI, MES | string | A more detailed description of the Emitters. For example, this may be the strings of a violin or the units of a loudspeaker. | |
MIDINote | 0 | I, M | double | Defines the note played by the source during the measurement. The note is specified a MIDI note by the MIDI specifications, version 1.0. Not mandatory, but recommended for tonal instruments. | |
Descriptions | {''} | MS | string | This variable is used when the description varies with M. | |
SourceTuningFrequency | 440 | I, M | double | Frequency (in hertz) to which a musical instrument is tuned to corresponding to the note A4 (MIDINote=69). Recommended for tonal instruments. | |
Data.IR | [0 0] | m | mrn | double | |
Data.SamplingRate | 48000 | m | I | double | Sampling rate of the samples in Data.IR and Data.Delay. |
Data.SamplingRate:Units | hertz | m | attribute | Unit of the sampling rate. | |
Data.Delay | [0 0] | m | IR, MR | double | Additional delay of each IR (in samples, with the time interval as described by SamplingRate). |